Friday, December 17, 2010
PR: Good; Journalism: We’ll see
Wednesday, December 8, 2010
Truth in obituaries
He was not one to suffer fools and he saw them everywhere but people gravitated to Chris and he made lifelong friends. He could be thin-skinned, but he was hardheaded too, and he never heard a piece of advice he couldn't ignore. Twenty-odd years of addiction took a heavy toll on his health and many of his personal relationships, but his extraordinary intelligence, charm, and dry humour will be greatly missed by those who knew and loved him.
Sunday, November 28, 2010
It's over
Hersey's 1946 book about the effects of the atomic bomb dropped on Hiroshima in 1945 concludes by quoting an essay by 10-year-old Toshio Nakamura, who survived the attack that killed something like 100,000 people.
The next day Toshio and two friends went looking for their mothers.
"But Kikuki's mother was wounded and Murakami's mother, alas, was dead."
Try forgetting that line, or the story that it wraps up.
Forty years later Hersey published a new chapter following up on the lives of the six people he originally interviewed.
It closes by reporting on Kiyoshi Tanimoto, who is over 70.
"He was slowing down a bit. His memory, like the world's, was getting spotty."
Three words, "like the world's," move the story back into its historical context and into our lives.
The book is over but the story isn't.
Thursday, November 25, 2010
Not too sick to blog
Wednesday, November 17, 2010
A disrespectful headline
Royals select latest brood mareSame old job description: Produce an heir and a spare
Tuesday, November 16, 2010
Here’s some honest feedback
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Tuesday, November 9, 2010
A mighty voice, barely heard
Almighty Voice and His Wife, a compelling piece of theatre playing in Winnipeg, lacks only one thing: a good-sized audience.
It’s a double retelling of the story of Almighty Voice, an Aboriginal man killed in 1897 by the Northwest Mounted Police in Saskatchewan. His original offence: Killing a cow owned by the government.
The first act tells the story conventionally, ending with the death of Almighty Voice.
The second act imagines Almighty Voice and his wife as characters in a Victorian entertainment, tormenting each other while singing and dancing their hearts out but ultimately unable to escape their original story.
Derek Garza as Almighty Voice and P.J. Prudat as White Girl inhabit the characters brilliantly, particularly when they don whiteface for the second act.
The play, written by Daniel David Moses and directed by Michael Greyeyes, is serious but not depressing. There are liberal doses of the sidesplitting humour and wordplay that characterize much Aboriginal drama. Think of the possible meanings of Chief Magistrate, for example.
Oh yes, there’s sex, too.
What a shame, then, that many of the seats in the Rachel Browne Theatre in downtown Winnipeg were empty at the Sunday matinee that I attended.
Get your tickets from Theatre Projects Manitoba for $20, less for students.
Almighty Voice and His Wife plays in Winnipeg until Nov. 14 and in the J.R.C. Evans Theatre at Brandon University on Nov. 17 and 18.